Full Frame vs. APS-C: The Size Advantage Isn't What You Think
The full frame vs. APS-C debate has been running for years, and most people land in the same place: full frame is better, APS-C is smaller, end of story. But that conclusion skips over some real nuance that changes how you should think about both systems.
Photographing a Fashion Campaign at Sarakineco Beach
I just wrapped up a fashion campaign shoot at Sarakiniko Beach in Milos, Greece. Here is how it went, what I learned from the experience, and how we approached getting the shots.
Discover Leica’s New Flagship Store in Chicago and the Limited Edition M11-P Chicago Edition 17
The world's most renowned and respected camera brand, Leica, has announced a new flagship store in Chicago, Illinois, opening on April 30, 2026. Located in Chicago's Gold Coast, one of the city's most culturally rich architectural districts, the new store draws on the city's creative spirit, offering photographers a dynamic space with rotating gallery exhibitions, workshops through the Leica Akademie, connections with fellow photographers, and Leica's latest innovations in technology. The Michigan Ave.
The Concept Comes First: Building a Photograph From an Idea, Not a Scene
Most photographers start with a subject or theme. Conceptual photographers start with a question. What does isolation feel like? Not, where can I shoot next? Entering the world of conceptual photography is a beast of its own. It comes with its own challenges and rewards. My biggest question was, how do I start?
We Review the Huawei Mate 80 Pro in Search of a True-to-Color Smartphone Camera System
From the naming convention, the Mate series flagship smartphone has always been Huawei's way of showing off what they can really do, and it has been three years since Huawei launched the Mate series globally. This time around with the Huawei Mate 80 Pro, everything revolves around a rather bold slogan: "See It True."
"Fix It in Post" Is Costing You Money: A Mathematical Case for Getting It Right in Camera
You are standing on location. The light is good, the client looks great, and you are in the zone. Then you notice it: an orange traffic cone lurking at the edge of the frame. Your assistant is nowhere to be found. The client is already in position. You could pause everything, walk over, and drag the cone out of shot. Or you could keep the momentum going and mutter those five dangerous words to yourself: "I'll fix it in post."
The Proper Camera Settings for Travel and Street Photography
Shooting in the wrong exposure mode or using the wrong autofocus setup can cost you the shot. For travel and street work especially, your camera settings aren't just technical preferences; they shape what's even possible in the moment.
Photoshop 2026's Dehaze Tool Is More Powerful Than You Think
Photoshop 2026 added a Clarity and Dehaze adjustment layer, and if you shoot landscapes or anything with atmospheric haze, it's worth knowing how to use it properly. The catch is that throwing dehaze on an entire image can look heavy-handed, so selecting only the hazy area before applying it makes a real difference.
Is the Fujifilm XF 23mm f/2.8 R WR Worth It on a 40-Megapixel Sensor?
The Fujifilm XF 23mm f/2.8 R WR is one of those lenses that looks almost too small to take seriously. But if you're shooting on a Fujifilm X-series body, especially one with a demanding 40-megapixel sensor, "small" doesn't have to mean "compromised."
Why Time Is a Landscape Photographer's Most Valuable Asset
Time might be the one thing standing between you and your best landscape images. Not gear, not skill, not vision: just the raw, uncontrollable factor of being somewhere when the light, weather, and landscape align in a way that only happens a handful of times a year.
Canon RF 28-70mm f/2 vs. RF 24-105mm f/2.8: Which Pro Zoom Wins?
I have now tried both the Canon 28-70mm f/2 lens and the Canon 24-105mm f/2.8 to see which is better and where I would recommend each of these lenses. I'm just trying to answer the question of which one is right for me, and hopefully in doing so I'm able to also help you identify which one might be right for you.
Adobe Announces Frame.io Drive to Streamline Video Sharing Among Creatives
Unlike photography, video production often involves more than one person. There are sound technicians, editors, color gradeers, camera operators, directors and art directors. It is also common for team members to share multiple versions of edited footage. Managing these files and providing easy access to everyone on the team is a priority for every video production team. Today, Adobe is announcing Frame.io Drive to make sharing files and edits easy.
12 Things That Go Wrong on Every Outdoor Portrait Session (and What to Do About Each One)
If you have shot outdoor portraits for any length of time, you already know that the session you planned and the session you got are never the same session. Something always goes sideways. The light shifts, the location changes, a variable you could not have predicted shows up and rearranges everything. The difference between a beginner and a working portrait photographer is not that the veteran avoids these problems. It is that the veteran has been ambushed by them so many times that the solutions are automatic.
Elevate Your Photography Using a Single Color
Here's how you can put the power of a single color to work to make your photos more impactful.
Going for a single color isn't limited to shooting in monochrome mode. By making one color the dominant element in your frame, you can unlock a visual language for more impressive photos. In fact, Alex Kilbee of The Photographic Eye stresses in the video above that color is emotion, and shows how to put this to work using three examples.
3 Months With the Snapic A1, Kodak's Latest 35mm Film Camera
The Kodak Snapic A1 is a lot of fun. I've been using this slimline 35mm film camera for the last three months, taking it everywhere with me — including on a two-week holiday to Japan. In this article I'll tell you why it's so fun, sharing highlights from my first five rolls.
What Is the Kodak Snapic A1?The Kodak Snapic A1 is the latest camera from Reto, Kodak’s production partner in Hong Kong. It features some impressive advancements over previous Reto cameras like the Reto Pano. These include:
Break Free From The Pressure of Perfection Through the Daido Moriyama Method
Your obsession with taking only good photos may be an unnecessary pressure that takes away creativity from your work. Let this Japanese master inspire you to break away from “good” but boring photos.
Nikon Z6 III in 2026: Still Worth Buying or Outclassed by Sony and Canon?
The Nikon Z6 III sits in one of the most competitive camera segments right now, going up against the Canon EOS R6 Mark III and the Sony a7 V. Each of those newer models has leapfrogged the Z6 III in specific ways, and knowing exactly where the Z6 III holds its ground and where it doesn't could save you from a purchase you'll regret.
OM System OM-1 Mark II Real-World Review: Zoo, Low Light, and Street Photography
Micro Four Thirds keeps getting written off, but the OM System OM-1 Mark II paired with the OM System 50-200mm f/2.8 keeps making a case for itself. At around $2,000 for the body alone, this is a flagship-level investment, and whether it actually delivers on that price is worth a serious look.
18 Photography Principles That Will Actually Change How You Shoot
Most photographers don't have a gear problem. They have a thinking problem, and this video lays out 18 principles that cut straight to the root of it.
Shooting Rory McIlroy on 4x5 Film at a PGA Event Is as Chaotic as It Sounds
A 4x5 large format camera is fully manual, everything from focus to exposure to winding the shutter, which makes it a strange choice for photographing a professional golfer signing autographs for a crowd of screaming kids. That's exactly what Jared Polin did at The Truist, a PGA event, capturing one of golf's biggest names just before McIlroy went back-to-back winning the Masters.